Tag Archives: Subba Row

Thou Art Buddha

Photo: barrywheeler.net

DEDICATED repetition is the foundation of all accomplishment in true art, science, and even spiritual development.

Yet success may entail much more than just ‘practice, practice’ to get to Carnegie Hall, as the saying goes.

Sweat, talent and technical skill are of course required. But the intuitive musician has a growing sense of  how a composition ought to be performed.

She is able to increasingly embrace the intent of the composer while shaping the music into a unique performance of her own.

Becoming ‘free of the keyboard’ an accomplished artist is untied from the written score and physical instrument.

The shift signals an artist who has the required technical mastery, plus an inspiration of her own.

Yet in large orchestras, the conductor communicates directions to musicians during a performance, becoming the authoritative guide, interpreter, and dedicated amanuensis of the composer.

Not unlike the Buddha following his enlightenment, an orchestra conductor, or music instructor, has transformed herself into a guru to the searchers, coaxing them through their envelope of inexperience, to ever increasing emancipation.

They say that when a student is ready, the teacher will appear. Spiritual knowledge and development does require commitment and dedication to an ideal, but on a grander scale. Achievement is more demanding any art, religion, science or philosophy for it is the synthesis of them all.

“Practical Theosophy is not one Science,” Blavatsky explained, “but it embraces every science in life, moral and physical. It may, in short, be justly regarded as the universal ‘coach,’ — a tutor of world-wide knowledge and experience.”

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Stepping Stones

Photo: barrywheeler.net

DEDICATED repetition is the foundation of all accomplishment in true art, science, and even spiritual development.

Yet success may entail much more than just ‘practice, practice’ to get to Carnegie Hall, as the saying goes.

Sweat, talent and technical skill are of course required. But the intuitive musician has a growing sense of  how a composition ought to be performed.

Because, through an inner  transformation, she can embrace the intent of the composer, and transform the music into an exhilarating inspiration of her own.

The accomplished performer is not tied to notes on paper, becoming what is called ‘free of the keyboard.’ That shift signals an musician who not only has the required technical mastery, but is also ready to shape a performance in her own inspired way.

Yet in large orchestras, the conductor communicates directions to musicians during a performance, becoming the authoritative guide, interpreter, and dedicated amanuensis of the composer.

Not unlike the Buddha following his enlightenment, an orchestra conductor, or music instructor, has transformed herself into a guru to the searchers, coaxing them through their envelope of inexperience, to ever increasing emancipation.

They say that when a student is ready, the teacher will appear. Spiritual knowledge and development does require commitment and dedication to an ideal, but on a grander scale. The stakes are higher than any one art or science.

“Practical Theosophy is not one Science,” Blavatsky explained, “but it embraces every science in life, moral and physical. It may, in short, be justly regarded as the universal ‘coach,’ — a tutor of world-wide knowledge and experience.”

Continue reading

The Liberated

Photo: barrywheeler.net

DEDICATED repetition is the foundation of all accomplishment in true art, science, and even spiritual development.

Yet success may entail much more than just ‘practice, practice’ to get to Carnegie Hall, as the saying goes.

Sweat, talent and technical skill are of course required. But the true artist also has acquired an intuitive sense of how a score ought to be performed.

Because, through an inner soul transformation, she is able to embrace the intention of the original composer, transforming that genius into an exhilarating inspiration of her own.

Every accomplished performer is no longer tied to a written score, and becomes free of the keyboard. The shift signals an artist who has the required technical foundation, and ready to develop the performance in her own inspired way.

Continue reading